Created by: Daniel Olsén
Released: August 2003
It’s got pirates, robots, explosions and an old man who talks to birds! What more could you want? Back in the Gaming Ground Zero days I would occasionally browse the main site. There was no way to know of an upcoming game release or anything, no notifications or popups. You’d just go through your daily sites and hope to see an update. Games weren’t user submitted on GGZ you see, they were often approved and placed by the webmaster. One early morning, I happened across a game called Crossbone with only a couple of sentences and a title screen to go by. That was the thing about GGZ, you never really knew what you were going to get. Yet the games from that site were always a step above most RM games due to the curated nature of the members and the community.
Replaying this for the first time in 15 years, I realize this game still has a lot of heart. While the battles are a bit rough (enemies are sometimes higher HP than they need to be), the sequences are just so imaginatively crafted. A lot of the scenes often take a page out of a Final Fantasy’s idea of comedic relief. Where nameless henchmen have just as much personality as the main characters. A lot of the events play out like a Saturday-morning cartoon with a pint of seriousness. You play as Breeze, an anchor wielding (swords aren’t cool enough for him) freelancer who always has trouble following him wherever he goes. After getting entangled with some pirates he gets knocked out by a wave caused by an unknown being. This spirals into further crazy adventures.
“I was planning to pack so much into that game that it would have been unwieldy. I did learn a lot about being creative within limitations thinking back on it, even if it creeps up on me from time to time. Now my problem is usually the opposite, I tend to over-plan so I end up exhausted before I even begin haha.”Daniel Olsén
The art is comprised mostly of original art overlayed on an RTP chipset framework. For example you might see the standard RTP ship tilset, but covered in metallic tiles made by the author himself. A lot of the scenes are accompanied by drawings that act as comic book panels of sorts. They give a really good cinematic emphasis in the flashbacks and important segments. I could talk about the individual aspects of this game, but it really comes down to it feeling like an adventure. I think RPGs always have that problem of sometimes starting out with hometown + chores or like fighting rats in a sewer dungeon. Crossbone just says screw that, you’re fighting a robot with an anchor in the first 6 minutes. There’s a sequence where this old man summons a giant owl god thing with a sword to fight this giant bug thing. There’s another section where a ship you’re on gets raided by dragon people using a slime infested coral reef that stops the ship from moving, but like, it can also turn into a mech? AND A UNICORN LOOKING BOAT ALSO TURNS INTO A MECH TO STOP IT.
“The ship battle sequence for Crossbone is made by the creator of Mog’s Adventure, in return I created the maps and such for the final dungeon of that game. A lot of the non-sprite art in the game is embarrassing looking back since I tended to draw the heads before the body so the proportions came out all janky. But it is what it is and every experience is valuable for the future. After Crossbone I went to college, I experience various things and worked as a freelance illustrators for a few years.”Daniel Olsén
The author Daniel Olsén still works on game projects from time to time. His passion for fiction and art has never faded and mostly does art and comics. It’s easy to see the connection between how bombastic and theatrical Crossbone was and his current artwork. Although that can take a lot of effort and time, sometimes leaving an impression is worth it in the end. It certainly added to the surprise of browsing through RPG Maker games all those years ago.